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A Guinea Pig's Musical Tastes

Posted on Nov 17th, 2008 by crow : learning crow
Laboratory Report
(by "Feeling Feline," Crow's 8th-grade daughter)

Princess Ruby Goes to a Party 2


Problem

 Does music affect the behaviour of guinea pigs?

 

Hypotheses

If music is played to a group of guinea pigs, then their behaviour will be affected in some way.


Materials

-          Three to five guinea pigs

-          Music from a variety of different composers

-          Individual cages or boxes that should eliminate most distractions

-          Enough cage bedding, and shelter of some kind, to house each guinea pig

-          The means to play the music

 

 

Procedure

  1. Prepare boxes for the guinea pigs (add bedding, shelter, etc.).  As they will not be there for much time, and it is rather distracting to them, do not give them food or water, but keep some in another room for between songs.
  2. Place a guinea pig in each box; make sure everyone is comfortable before proceeding.
  3. Play a few songs from the first composer, differing from each other considerably.  Take observations on each guinea pig’s reaction.
  4. Pause between each composer, taking the cavies out for something to eat and drink; let them digest for a few minutes, to ensure that they have quite forgotten their food, and the musical episode latterly experienced, before proceeding.
  5. Repeat steps three and four for each composer.
  6. When all the music has been played, replace guinea pigs in their normal cage, feeding them as much vegetation as they can eat to compensate for their inconvenience.
  7. Observe behaviour afterwards for any significant changes (for example, if the health of a sickly cavy has improved, or if any of them are looking rather more downcast or joyful than usual).

 

 

  Observations

Syrinx hair do

 

Behaviour Patterns

 

Pattern

Ruby

(Sane and thriving)

Syrinx

(Mad and thriving)

Truffle

(Deaf, blind, and sickly)

A

Mainly for melancholy piano works, and duets for piano/string duets

Listens, silent and motion-less, awe-struck, sometimes melancholy.

 

 

Listens, perplexed and flabbergasted; sniffs and nods.

Sits almost without response, but with more motion in her ears, and sniffs about occasionally.

B

Mainly for blithe piano sonatas, piano concertos, and orchestral works.

As above, only livelier and more excited;  tries to get closer to source of sound; sniffs and nods.

 

As for Ruby; starts chewing incessantly on shoe box; hums or conducts with her nose sometimes.

As above; enlivens, and stirs a bit for more magnificent, fortissimo parts.

C

Mainly for orchestral works.

Joyful sniffing and nodd-ing, shuffling, humming, and chewing; occasional fits of ‘popcorning.’  Likes harps, strings, and drums.

As for Ruby, but in a more spasmodic manner.  Likes brass instruments and piccolo.

More awake; lifts her nose frequently and paws at the ground lightly.  Likes piccolo solos and full orchestra together for forte.

D

For anything tedious, long, or lacking much musical appeal.

Bored chewing and shuffling; uninterested, restless.

 

 

As for Ruby; but again, more spasmodic and jumpy. 

No response whatever.

E

For what lacks musical appeal so intensely as to be unidentifiable as art.

Sits, eats, sleeps, chews box, converses lightly with neighbour.

 

 

 

Same as for Ruby, but more impatient and restless.

Again, no response.

 

Ruby

 

Analysis

 Songs and Their Effects

(Refer to Above Graph)

 

Song

Ruby

Syrinx

Truffle

Beethoven’s Ninth Symphony

1st and 2nd movements: B/C

3rd movement: D

Chorale: C

1st and 3rd movements: B

2nd movement: A/B

Chorale: B/C

1st – 3rd movements: B

Chorale: C

Moonlight Sonata, 1st Mov.

A

A

B

Chopin’s Nocturne No. 1

A/B

A/B

A/B

Chopin’s Nocturne No. 7

B

A/B

B

Liszt’s Liebestraume No. 3

B

B

B

Liszt’s Consolation No. 3

A

A

A/B

Liszt’s La Campanella

B/C

B

C

Brahms’ Opus 78 1st mov.

A/B/C

B/C

C

Strauss’ Blue Danube Waltz

B/C

B/C

C

Mozart’s Tema con Variazoni

A/B

A/B

B

 

Truffle s Photo Shoot October 2006 009

 

Conclusion

            Such results, from such an experiment, must say something; must inevitably hold some significance, if not much.  They must conclude, firstly, that guinea pigs do indeed have an appreciation for music, and that it does influence their behaviour, in varying ways for each individual.  The Baroque, Classical, and Romantic Eras in particular seem to appeal to them: Ruby was mesmerized; Syrinx awe-struck; and Truffle seemed to be benefited some exposure to music.  This must reflect upon the reactions of the brain cells themselves – for a visible reaction is never unconnected to an internal one.  For the guinea pigs to have had such a positive reaction to the music, their brain cells cannot have objected: music has, I believe, been many times in the past proven to stimulate activity in the brain, in areas which very little else touches.  This experiment, I believe, has demonstrated this in guinea pigs – which must also apply to any other animal (including, I should think, those deaf; for even Truffle had a reaction, through feeling the vibrations in the floorboards).

            After the experiment, I have noticed that Ruby and Syrinx do get along rather better (though perhaps I am only looking for an improvement and finding one) and that Truffle is eating better, and seems more awake than she usually does.

            I simply could not bring myself to subject the poor little things to ‘pop culture,’ and thus cannot compare their reactions to timeless art, as opposed to transient din; but can only verify that this former is indeed healthy, and that instinctively we like it (guinea pigs being strongly instinctive creatures).

            However, despite the inadequacy in the variety of music, I did answer my hypothesis nevertheless.  Music does indeed differ the behaviour of a group of guinea pigs, and positively: all three cavies greatly enjoyed the experiment.

----------------------------------------------------------------------------------------------------------------- 

Sources of Error

-          Many distractions I was simply unable to prevent, and could easily have had an effect upon the outcome.

-          The number tested was very few; and the results would have been more accurate with more guinea pigs (the individuals displaying slightly varying reactions).

-          A more various variety of styles of music would have been preferable.



                                                 *****************************************

in memory of our sweet "Baby". She was the most music-loving piggie of the bunch, and sang along with her favourites (I'm serious, she really did!)

Baby in the grass



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Tagged with: guinea pigs, music, mozart, love

All at Once

Posted on Oct 11th, 2008 by crow : learning crow


With love, for all of us, in an uncertain time...

Jack Johnson - All at Once


All at once,
The world can overwhelm me
There's almost nothing that you could tell me
That could ease my mind

Which way will you run
When it's always all around you
And the feelin' lost and found you again
A feelin' that we have no control

Around the sun
Some say it's going to be the new hell
Some say it's still too early to tell
Some say it really ain't no myth at all

We keep asking ourselves
Are we really strong enough?
There's so many things
That we got too proud of
We're too proud of
We're too proud of

I wanna take the preconceived
Out from underneath your feet
We could shake it off
And instead we'll plant some seeds [Zaadz!]
We'll watch them as they grow
And with each new beat
From your heart the roots grow deeper
The branches, well they reach for what?

Nobody really knows
But underneath it all
There's this heart all alone
What about when it's gone?
It really won't be so long
Sometimes it feels like a heart
Is no place to be singing from at all

There's a world we've never seen
There's still hope between the dreams
The weight of it all could blow away
With a breeze
But if your waiting on the wind
Don't forget to breathe
Because as the darkness gets deeper
We're sinkin' as we reach for love

At least something we can hold
But I'll reach to you
From where time just can't go
What about when it's gone?
It really won't be so long
Sometimes it feels like a heart
Is no place to be singing from at all
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Curiosity & Conscience (Stealing the Bicycle)

Posted on Oct 10th, 2008 by crow : learning crow
There's lots of serious stuff in the news lately; for example, the financial collapse of the entire planet. Here's a friendly, humane, and reassuring story about theft, just to cheer you up!

No, really. This guy videotapes people stealing unlocked bicycles---which were placed there by the videographer himself, as an experiment. Mariano Pasik is not trying to "catch criminals" or teach anyone a lesson; he's just curious (and open-hearted) about the workings of urban environments, and the nature of crime. He even blurs out the thieves faces, so they don't get in trouble!

Hats off to you, Mr. Pasik! Your work was meant to show something about crime and safety, but, in the process, you are also teaching us to see without judgement. How lucky we are to learn from those who are brave enough to walk among us with their eyes and minds wide open.

I see parallels between Pasik's Bicycle Trial and the famous Free Hugs Campaign.  Both explore human nature, and ask questions about what people do when presented with tempting and unexpected opportunities. Here's a bit of what he says about his project:

"We all dream about being able to leave our bicycle at the bakery’s doorway like in the old times, buy some bread, and find that the bike is just there when we return. However, only a few people dare to do so in Buenos Aires. Well, here it is: “the Bicycle Trial”. A documentary experience that dreams about a bicycle staying at the same place for hours, or at least, enough time until the tape ends.

What is the trial aim? Perhaps it is a nostalgic manner to remember that lost calmness. We have to admit that there might be a little of voyeurism in all this. Nevertheless, this project can also help to release our paranoia by showing that you can still leave your bicycle without a padlock. Don’t be long!"


The italics in the article below the video are mine, and I also deleted a dead-end website link to Pasik's site, but this one should work for you. Youtube also has many more of these bicycle trial videos.
 
La Prueba de la Bicicleta. Una Experiencia Documental.



-------------------------------------------------------------------------------------------------------------


How safe is your city? Put it to the bicycle test


Wed Oct 8, 12:26 PM  

By Fiona Ortiz

BUENOS AIRES (Reuters) - How long will an unchained bicycle last on a city street before someone steals it?

Using hidden cameras and cheap bicycles as bait, an Argentine publicist set out to gauge crime in different neighborhoods of Buenos Aires. The longer it takes for the bike to be stolen the safer the area, is his hypothesis.

"It's not a statistic but in a way it shows that the places where the bicycle gets robbed really quickly perhaps the quality of life is poorer," said Mariano Pasik, 37.

Pasik speeds up the videos, sets them to music and puts them on a website.  He hopes other videographers will join his nonprofit "Bicycle Test" project and create a worldwide insecurity index.

It could become an informal crime gauge akin to the "Big Mac Index," which compares the cost of the same McDonald's sandwich in different countries to give an idea of buying power of people in different places, Pasik said.

Pasik, who runs his own publicity firm Liebre Amotinada Ideas (Mutinous Hare Ideas), said the project is part art, part reality show, part journalism and part fun.

But it is definitely not vigilantism. Pasik blurs the thieves' faces and was shocked at comments on his website where people have called for the death penalty for thieves.

"What you see on the videos is that they aren't professional thieves, they aren't people who went out to rob. They are people who ran into temptation and decided to commit a crime, they become thieves at the moment they take the bike," he said.

He said he is also trying to show that the media fascination with crime, in places like Buenos Aires where armed robberies are rampant, is part of the problem.

"The popular fantasy is that the bike will be stolen in seconds, and it isn't quite like that," Pasik said.

In the latest video posted, a bike lasted an hour without being stolen in the unsavory Constitucion neighborhood. But on the upscale shopping street of Santa Fe, a bike lasted a few short minutes before it was stolen.

A neighborhood "passes" the bicycle test when an hour passes or when the filmer gets tired or runs out of batteries.

Fans of the site have offered Pasik free bicycles and sent in their own tests from Uruguay and Spain.

On the videos, the thieves often seem more like opportunists than hardened criminals.

"You see the person thinking and thinking and thinking, coming and going. Sometimes they talk by phone. They go away. They come back. It's more about an internal dilemma between good and bad, than about the bicycle itself," Pasik said.

Or maybe they are just in shock to see a bicycle alone without a heavy lock, an unusual sight in Buenos Aires, a dense metropolis of more than 13 million people.

So far in the Bicycle Test, no woman has stolen a bike.


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Find out How to Vote Strategically for the Environment (Canada)

Posted on Oct 9th, 2008 by crow : learning crow
Vote
As we come up to Canada's federal election (only 5 days to go), I'd like to share a few things in the news that really grab me.

I read an article a couple days ago that spoke of the dilmemna for the voter who feels it is urgent to use his or her vote in a way that will secure strong environmental initiatives. There are several parties with strong environmental platforms, and one party that gets a thumbs down in that area. Because the small "l" liberals are spread across several parties, their "green" votes may be ineffectual.

The article led me to an AWESOME site, called Vote for the Environment
You just plug in your postal code and it will give you a breakdown of voting trends in your riding and recommend which way your vote should go, if you want to vote strategically to support environmental issues. Here's another cool site about vote swapping----another creative way of voting for what matters to you, but I don't understand it yet, so I'll not try to explain. I won't let a website tell me who to vote for, but these sites are very helpful information.

I hope it will be interesting and helpful to you too : )

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Canada Losing Peacekeeper Tradition

Posted on Oct 9th, 2008 by crow : learning crow
Canadian_leopard_tank

"Staples said "the cost of the war in Afghanistan has essentially resulted in the abandonment of Canada's 50-year commitment to UN peacekeeping."

The study also found that about 167 Canadian soldiers and police officers were deployed on peacekeeping missions as of July of this year, ranking Canada 53rd of 119 contributing nations."

Wow.

It's time Canadians stopped floating along taking credit for some of the good things our country used to be. We need to get the facts straight about today's realities, and take an active part in the democracy to which we are privileged to belong.

(The above news exerpt comes from this article, which relates how the war in Afghanistan has cost double what the Conservative party estimated.)


In happier news.......... "Canada has the world's soundest banking system."

 

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Margaret Atwood's Response to Harper's Artist-Bashing

Posted on Sep 25th, 2008 by crow : learning crow
World_without_art_tom_mcnease

To be creative is, in fact, Canadian

Mr. Harper is wrong: There's more to the arts than a bunch of rich people at galas whining about their grants

From Thursday's Globe and Mail

What sort of country do we want to live in? What sort of country do we already live in? What do we like? Who are we?

At present, we are a very creative country. For decades, we've been punching above our weight on the world stage - in writing, in popular music and in many other fields. Canada was once a cultural void on the world map, now it's a force. In addition, the arts are a large segment of our economy: The Conference Board estimates Canada's cultural sector generated $46-billion, or 3.8 per cent of Canada's GDP, in 2007. And, according to the Canada Council, in 2003-2004, the sector accounted for an “estimated 600,000 jobs (roughly the same as agriculture, forestry, fishing, mining, oil & gas and utilities combined).”

But we've just been sent a signal by Prime Minister Stephen Harper that he gives not a toss for these facts. Tuesday, he told us that some group called “ordinary people” didn't care about something called “the arts.” His idea of “the arts” is a bunch of rich people gathering at galas whining about their grants. Well, I can count the number of moderately rich writers who live in Canada on the fingers of one hand: I'm one of them, and I'm no Warren Buffett. I don't whine about my grants because I don't get any grants. I whine about other grants - grants for young people, that may help them to turn into me, and thus pay to the federal and provincial governments the kinds of taxes I pay, and cover off the salaries of such as Mr. Harper. In fact, less than 10 per cent of writers actually make a living by their writing, however modest that living may be. They have other jobs. But people write, and want to write, and pack into creative writing classes, because they love this activity – not because they think they'll be millionaires.

Every single one of those people is an “ordinary person.” Mr. Harper's idea of an ordinary person is that of an envious hater without a scrap of artistic talent or creativity or curiosity, and no appreciation for anything that's attractive or beautiful. My idea of an ordinary person is quite different. Human beings are creative by nature. For millenniums we have been putting our creativity into our cultures - cultures with unique languages, architecture, religious ceremonies, dances, music, furnishings, textiles, clothing and special cuisines. “Ordinary people” pack into the cheap seats at concerts and fill theatres where operas are brought to them live. The total attendance for “the arts” in Canada in fact exceeds that for sports events. “The arts” are not a “niche interest.” They are part of being human.

Moreover, “ordinary people” are participants. They form book clubs and join classes of all kinds - painting, dancing, drawing, pottery, photography - for the sheer joy of it. They sing in choirs, church and other, and play in marching bands. Kids start garage bands and make their own videos and web art, and put their music on the Net, and draw their own graphic novels. “Ordinary people” have other outlets for their creativity, as well: Knitting and quilting have made comebacks; gardening is taken very seriously; the home woodworking shop is active. Add origami, costume design, egg decorating, flower arranging, and on and on ... Canadians, it seems, like making things, and they like appreciating things that are made.

They show their appreciation by contributing. Canadians of all ages volunteer in vast numbers for local and city museums, for their art galleries and for countless cultural festivals - I think immediately of the Chinese New Year and the Caribana festival in Toronto, but there are so many others. Literary festivals have sprung up all over the country - volunteers set them up and provide the food, and “ordinary people” will drag their lawn chairs into a field - as in Nova Scotia's Read by the Sea - in order to listen to writers both local and national read and discuss their work. Mr. Harper has signalled that as far as he is concerned, those millions of hours of volunteer activity are a waste of time. He holds them in contempt.

I suggest that considering the huge amount of energy we spend on creative activity, to be creative is “ordinary.” It is an age-long and normal human characteristic: All children are born creative. It's the lack of any appreciation of these activities that is not ordinary. Mr. Harper has demonstrated that he has no knowledge of, or respect for, the capacities and interests of “ordinary people.” He's the “niche interest.” Not us.

It's been suggested that Mr. Harper's disdain for the arts is not merely a result of ignorance or a tin ear - that it is “ideologically motivated.” Now, I wonder what could be meant by that? Mr. Harper has said quite rightly that people understand we ought to keep within a budget. But his own contribution to that budget has been to heave the Liberal-generated surplus overboard so we have nothing left for a rainy day, and now, in addition, he wants to jeopardize those 600,000 arts jobs and those billions of dollars they generate for Canadians. What's the idea here? That arts jobs should not exist because artists are naughty and might not vote for Mr. Harper? That Canadians ought not to make money from the wicked arts, but only from virtuous oil? That artists don't all live in one constituency, so who cares? Or is it that the majority of those arts jobs are located in Ontario and Quebec, and Mr. Harper is peeved at those provinces, and wants to increase his ongoing gutting of Ontario - $20-billion a year of Ontario taxpayers' money going out, a dribble grudgingly allowed back in - and spank Quebec for being so disobedient as not to appreciate his magnificence? He likes punishing, so maybe the arts-squashing is part of that: Whack the Heartland.

Or is it even worse? Every budding dictatorship begins by muzzling the artists, because they're a mouthy lot and they don't line up and salute very easily. Of course, you can always get some tame artists to design the uniforms and flags and the documentary about you, and so forth - the only kind of art you might need - but individual voices must be silenced, because there shall be only One Voice: Our Master's Voice. Maybe that's why Mr. Harper began by shutting down funding for our artists abroad. He didn't like the competition for media space.

The Conservative caucus has already learned that lesson. Rumour has it that Mr. Harper's idea of what sort of art you should hang on your wall was signalled by his removal of all pictures of previous Conservative prime ministers from their lobby room - including John A. and Dief the Chief - and their replacement by pictures of none other than Mr. Harper himself. History, it seems, is to begin with him. In communist countries, this used to be called the Cult of Personality. Mr. Harper is a guy who - rumour has it, again - tried to disband the student union in high school and then tried the same thing in college. Destiny is calling him, the way it called Qin Shi Huang, the Chinese emperor who burnt all records of the rulers before himself. It's an impulse that's been repeated many times since, the list is very long. Tear it down and level it flat, is the common motto. Then build a big statue of yourself. Now that would be Art!

Adapted from the 2008 Hurtig Lecture, to be delivered in Edmonton on Oct. 1

(painting above is from artist Tom McNease's "World Without Art")

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Wande Wende: Walls Change

Posted on Sep 19th, 2008 by crow : learning crow
Segment of the Berlin Wall (art by Indiano)


Walls Change. They go up, tumble down, burn, change colours (maybe marshgrass green for the dining room?) They creak in wind storms; they display paintings and photos and pronouncements (Staff Only... Beware of Dog... Kiss the Cook). They tell stories.

Walls are just wood, plaster, cement, steel, glass... that's all, right? Or, maybe not. These upright structures organize our awareness of who and what we are in this space, who and what we are in that space.

I am a customer.            I am a home owner.          
                 I am a tenant.                                             I am a patient.        
                                                     I am a prisoner.
                        
                              I must speak quietly, here, in this place.     
I can dance and laugh and toodle about in my underpants, here, in this place.
                                 I am just a number, here.     
                                        I am loved and honoured, here.

What do walls mean to you? Do you notice what happens inside you when the walls change?

This last month, my walls threatened to change. We were "this close" to moving house, two provinces and a thousand miles away. The very contemplation of the move altered my mind-world. The experience got me thinking about the dreams that we are, and how our waking lives can be as random as the stories that slam into each other in our sleep.

You know how dreams can be.  "... We were in a strange city. You were you, but you weren't. You had blonde hair and you were only about 25 years old. There was a disapproving librarian; he was everywhere---at the tops of escalators, on the sidewalk, on the bus. He kept writing things down on an index card.  I wasn't me, either, actually. I don't know who I was, but I was tall and young. We were lost...."

My life and my ex-husband's are braided together by our children, families, finances and familiarity. Our disentanglement is slow. So, we were about to move together far away from here, for a job opportunity. In the days and weeks leading up to this move, I began to pull my 'self' out of the walls that surround me in the context of this city that has been my home for three years.

We drove to the new city to find a place to live. It wasn't at all what I had expected. I tried to imagine (dream) us into its walls and the spaces between and around them. There, however, I didn't feel like "me" anymore. He wasn't him. Our daughters were 'other' too. It felt wrong. We chose not to move there, after all. Thank goodness lucid dreaming works when we are awake, too. 

Without so much as transporting a box of books or taking down a set of curtains, my relationship to this familiar home and community has intensified. It looks newer, the edges more defined, the spaces warmer and kinder.

                                                   I am a trusted neighbour.    
                            I am a good tipper (pizza delivery guys jostle to get our order).
          I know the best parking lot near the market.             I put snow tires on my car.                         My butcher makes the best Tourtierre.                 We have great tap water.       
The crows know I will feed them on the coldest days of winter.                
              I can give my children a good life, here.       
      I am safe.               I am grateful.                 
                      I am home.


(I tried to post this video, above, but it wouldn't stick. Please visit and have a taste.  You can watch as little or as much as you like, each moment is a beautiful and affecting audio-visual meditation.   If you enjoy it and would like to see more StillTV films, visit here.)
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What Colour Glasses I See the World Through

Posted on Aug 21st, 2008 by crow : learning crow
You See the World Through Blue Colored Glasses
You live your life with tranquility. You have faith that things will work themselves out with time.
You judge all your interactions through the lens of hope. You try to get all the facts before forming your opinion.

You face challenges with wisdom. You know that all bad things pass, and you have the confidence to see problems through.
You see love as the utmost expression of trust. Your relationships tend to be peaceful and stable.

At your worst, you can be cool, melancholy, and detached. You sometimes have to step back from emotionally charged situations.
You are at your happiest when you are able to reflect and relax.


Thank you to C4Chaos for this fun quiz. To try it yourself, go here.
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What Is Your Thinking Style?

Posted on Aug 10th, 2008 by crow : learning crow
Want to try the quiz? Go here.

You are an Existential Thinker
Existential thinker Existential thinkers:
  • Like to spend time thinking about philosophical issues such as "What is the meaning of life?"
  • Try to see beyond the 'here and now', and understand deeper meanings
  • consider moral and ethical implications of problems as well as practical solutions
Like existential thinkers, Leonardo questioned man's role in the universe. Many of his paintings explored the relationship between man and God. Other Existential Thinkers include
The Buddha, Gandhi, Plato, Socrates, Martin Luther King

Careers which suit Existential Thinkers include
Philosopher, Religious leader, Head of state, Artist, Writer
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We Who Are Your Closest Friends

Posted on Jul 30th, 2008 by crow : learning crow
Nightbus_pat_moran
I read this poem aloud to my 13-year-old daughter, as we sat through an interminable 4-hour wait in the ER of the children's hospital, tonight. She had---while floundering about with her 11-year old sister---managed to use the inner metal workings of an otherwise-benign recliner to gouge a nice deep groove into her knee.

My ex and I took her to the hospital, whereupon I shooed him and our youngest off back home, knowing full well that it would be forever before a doctor got 'round to us. It turned out to be a wonderful time of connection and commiseration between me and my beautiful girl, on the agonies of being human, literary, and angst-ridden.

I was (am) rereading Bird By Bird: Some Instructions on Writing and LIfe,  by Anne Lamott. My girl is a prolific writer, and has little use for most of my writing-inspiration books.  But, oh, this one had her number, and I knew it.

This is a girl who believes she is a Victorian, and scorns anything written after the 19th century (although, bless her fine soul, she makes an exception for To Kill A Mockingbird). Lamott is so not-Victorian.

There we were, trapped in a waiting room full of smiling, wailing, squirming babies and a couple of soccer players. "Can I read you just this one part?" I'd ask, and she'd nod, indulgently. After me asking her this four times in 10 minutes she had come up with a scene in her mind,  and a cast of characters: 

Picture a hardened misanthrope on a long bus trip meeting the misfortune of sitting next to an enthusiastic, and irritatingly amiable woman reading a book she just HAS to share. The misanthrope is reflexively civil, and tolerates one intrusion after another from the woman. Again and again, she says "can I read you just this one part?" Our misanthrope assents, less and less reluctantly, as he becomes slowly taken with the words that this pesterly woman cannot refrain from sharing with him.  By the time the night bus pulls up to the station at dawn, the listener has been transformed, and softened.

I happily claim to be the inspiration for "the irritatingly amiable woman," and I know that my daughter is the reluctantly softened misanthrope of her story.

She got 5 stitches---unflinchingly, of course.

Here's a poem from the book that I just HAVE to read to you : )


We Who Are Your Closest Friends
(Phillip Lopate)

We who are
your closest friends
feel the time
has come to tell you
that every Thursday
we have been meeting,
as a group,
to devise ways
to keep you
in perpetual uncertainty
frustration
discontent and
torture
by neither loving you
as much as you want
nor cutting you adrift.
Your analyst is
in on it,
plus your boyfriend
and your ex-husband;
and we have pledged
to disappoint you
as long as you need us.
In announcing our
association
we realize we have
placed in your hands
a possible antidote
against uncertainty
indeed against ourselves.
But since our Thursday nights
have brought us
to a community
of purpose
rare in itself
with you as
the natural center,
we feel hopeful you
will continue to make unreasonable
demands for affection
if not as a consequence
of your disastrous personality
then for the good of the collective.

-------------------------------------------------------------------------------------------------------------------------
(night bus illustration--Pat Moran (1961-1992)--to see more, click this)
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